Soul Parish Lost Tracks 3: Radio

by Nicholas Chase aka Soul Parish

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Ann Haroun
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Ann Haroun I listened to the two free tracks from this album and immediately made the pre-order. "Radio" -- both versions -- are making me happy just listening to them! I do feel like I'm stepping back in time, in a good way! Your notes about this album are enlightening.
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1.
I've got plenty of friends to keep me company. I've got plenty of friends who hang around. I've got plenty of friends who all just love me. I've got plenty of friends to keep around. But the one thing that I don't have is you. I spend all my money on diamond rings, fancy cars, just anything. I like the sparkle, I like the shine! I like seeing a thing and makin' it mine! But the one thing that I don't have— I don't have you. I've got everything a man could ask for. I've got everything a man could need, but the one thing that I really want I would beg for down on my knees; because that one thing that I don't have— I don't have it... No one's got a love no, not like I do! So don't you every leave me I'm stuck like glue to you! Because the one thing that I really want is to give up all of my love to you. You're the one thing that I don't have... yes, you.
2.
No Wrong 04:27
Do me no wrong Just do me right Do me no wrong You'd better be here all through the night 'Cause I won't be givin' you, honey Just what you need Until you say you're stayin' Here with me. (Everybody listen now...) Now I give you money, All you want. So here's my lovin' But you don't want it. Well, I'll give you credit 'Cause you've got nerve! But you better give me What I have earned! You'd better, Do me no wrong Just do me right Do me no wrong You'd better be here most every night 'Cause I won't be tellin' you, baby The same thing twice So come on make a little Sacrifice. (Let's talk about the other man now...) Well he picks you up In his fine car And he treats you sweet With caviar But you better stop, now baby Where you are Think what you're doin' To my heart! My baby says she's gonna leave me But she's got it wrong. 'Cause when I'm with her every evening - I've got to, to hold on! If she leaves I won't know what to do If she leaves I won't know what to do You'd better Do me no wrong Just do me right Do me no wrong Just do me right I've got to, to hold on! Rpt. chorus to end.
3.
You Cross my mind Seven times a day I can’t unwind I wish that you would go away You take up my mind obsessing with a schoolboy crush Oops! clean up time another accidental touch. I changed my body, changed my mind, my personality I changed my job and my address but you still won’t come with me [[but you still don’t notice me]] I waste my time watching from the outside in How I would like to offer you a little skin You are so fine a look from you can make me blush I I like your mind, but give me your X-Rated touch. I pierced my nose and dyed my hair I changed from him to she, I changed my sign and my routine but you still won’t come with me You cross my mind a million times a day I can’t unwind I wish that you would come my way I changed my name and changed my locks and changed my destiny I changed my color I changed my plans and changed my pedigree I changed my clothes changed all my friends, and changed my history I changed my money and changed the game and you still won’t! Ha!
4.
Radio 04:40
Why can't I shake this sense of desperation It's all presiding since the separation I want you back now, there's no time for question Please honey, hurry, now I've learned my lesson I try to phone you but there's no connection I'd send a wire but you've no reception The time without you always seems to stand still So I sit down and look back and turn on my radio Radio Please receive! And tell me, o tell me, Tell me where she can be The days and hours seem to run together I keep on wondering if you're gone forever Now did you leave me just to watch my heart break? Tell me, o tell me, just how much can one man take? Radio Please receive! And tell me, o tell me, Tell me where she can be I've been thinking of a plan To get you back again Why won't you hear my plea? Forget the past and please come back to me The message that I'm sending on the airwaves Your local DJ will be playing your way This whole misunderstanding I can't fathom So I sit down and look back and turn on my radio.
5.
Now the party’s over, take your hat and hang it on the wall. You can count their numbers, the casualties of all the men at call. It’s a wasted effort, no matter how you try, you’re second best… All the hateful mothers, too sorry for themseles to help the rest. Strive for truth and justice don’t turn your back, they’ll push you to the wall. There are no survivors, still your daddies preach the wartime call… Never Give In Were you blind with passion? Break the silence now, or we’ll go mad. Push and pull asylum. Think of all the profit we could have. Break Now your party’s over, take your badge and hang it on the wall. You were in the numbers, the ones who stood so proud when duty called. Are we helpless victims, or simply just too blind to take command? We’ve no use for freedom, a better point with little time at hand. Never Give In.
6.
You Cross my mind Seven times a day I can’t unwind I wish that you would go away You take up my mind obsessing with a schoolboy crush Oops! clean up time another accidental touch. I changed my body, changed my mind, my personality I changed my job and my address but you still won’t come with me [[but you still don’t notice me]] I waste my time watching from the outside in How I would like to offer you a little skin You are so fine a look from you can make me blush I I like your mind, but give me your X-Rated touch. I pierced my nose and dyed my hair I changed from him to she, I changed my sign and my routine but you still won’t come with me You cross my mind a million times a day I can’t unwind I wish that you would come my way I changed my name and changed my locks and changed my destiny I changed my color I changed my plans and changed my pedigree I changed my clothes changed all my friends, and changed my history I changed my money and changed the game and you still won’t! Ha!
7.
8.

about

Soul Parish Lost Tracks Series
From 1984 to 1999 Nicholas Chase fostered a studio project under the moniker Soul Parish.
www.discogs.com/artist/704052-Soul-Parish

Soul Parish recorded in the Middle East, London and up and down the US West Coast through the late '90s. In 1992 Soul Parish made a radical shift into the Gothic realm on a full length CD entitled "Journal of Half Wakened Dreams." The CD was well received by underground radio and press, and the club single "Lilith," featuring an opera singer over drum machines, charted #2 in the German club scene.

Chase stopped working as Soul Parish in 1999, establishing an international career and reputation in contemporary concert music.

The “Soul Parish Lost Tracks” series collects a handful of songs that were recorded in less-than-ideal circumstances, or never recorded at all, and offers them in the style and production imagined at the time they were written. Chase has faithfully referenced notes and lead sheets to create recordings that match the sounds (good and bad) with the sound of technology that would have been available at the time these songs were written. The result is a kind of time travel, making new recordings sound old, but also imagining what it might have been like to innovate with specific gear and producers in hopes of producing a popular record, or even a hit.

SOUL PARISH
Soul Parish was a studio idea. I wanted to make records using the recording studio as a playground for musical ideas—that's the legacy of the early recording artists. In the 80s, new technological innovations, MIDI, synthesizers, recording studio technology like the Aphex Aural Exciter and the Lexicon reverb unit, gave rise not only to new sounds, but new ways of thinking about making music. Every band sounded different and bands would spent days and weeks in the studio building the individual sounds that would become tracks and orchestral elements for albums like Japan’s "Tin Drum," or Eurythmics “Sweet Dreams,” or Heaven 17’s “Penthouse and Pavement.” These were the things that inspired me as a teen.

Soul Parish generated a long list of cassette releases that comprise the bulk of the "known" Soul Parish catalogue: Musical Boy Hero, Need, Ovation, Epic, Wintermaas, and The Lodestone (plus a short list of experimental recordings made under different names).

Soul Parish generated collaborations and new bands. Around 1996 Chase sang in the vocal ensemble Quorai a Vandalor which soon gave birth to the Gothic band Lodestone. At the same time, the only Soul Parish CD made “The Journal of Half-Wakened Dreams” was getting international attention. Not coincidentally, "Journal" featured vocals by Quorai a Vandalor band mates.


Soul Parish Lost Tracks 3: Radio
By 1983 a wave of gender bending British bands hit the world with video, new song forms, and constantly evolving new sounds. But by 1986, while the sounds were still fresh, they were no longer new. Every genre of pop was transformed.

In 1986, I was in London and in my flat in Chelsea I spent all of my time writing songs. When I wasn't writing or singing, I was listening to Aretha Franklin, Sam and Dave, Billy Holiday. And I was not alone. The club set who frequented Jungle and Taboo were listening to Frank Sinatra on the juke box, soul hits were never out of date, and that feeling made its way to the dance floor. Heaven 17 produced and sang back-up on Tina Turner's rendition of "Let's Stay Together" Eurythmics had already covered Sam and Dave's "Wrap It Up" (co penned by Isaac Hayes). In 1986, that's what I wanted to do: bring the old sense of soul to electronic club music.

Soul Parish Lost Tracks 3: Radio is the third and final installation of early pop by Chase under the Soul Parish alias. This last installment of the Soul Parish archives continue the realization of the songs I didn't have the money or tech at the time to produce. This particular cache of songs is more difficult than the rest because they embody Emperors and Empresses of early soul—the original project was called "Saints of Song" and (the only song missing from the original track list is a cover of “Centerpiece” by Lambert, Hendricks and Ross). “Saints of Song” was meant to be pure dance club, a collection of 12" singles that could hang together as an album.

The odd man in the collection here is "Radio." It was the second or third song I wrote for that first recording session in Damascus (in order, "Blue," then "Radio" or "Better Than This," followed by "Play By The Rules.") The song had pop-radio appeal, but not in a way I was comfortable with. I imagined it would be the first song I'd sell to another artist. It’s obvious in every recording that it doesn't fit with anything else in the Soul Parish catalogue. The vocal style was tongue-in-cheek even in that first studio session because I didn't actually like the song. Yet, somehow it must be an important part of the Soul Parish history because I kept going back to it. I intended to release it on Soul Parish Lost Tracks 2 with Electric Blue because the style is closely related to those first pieces, but I held it back because I wasn't happy with the same old vocal treatment, a tired reiteration of a bad idea. So I stepped back from what I had done and thought about what inspired me to write the song.

Those original ideas are highlighted for the first time in this 2021 release. The song was written in a few minutes, based on a riff. It was the riff—the 16th-note synth ostinato—that the whole song was supposed to hinge off of. Remembering that, I re-envisioned "Radio" from the point of view of a producer working to make it radio-ready, club-ready, and to present a consistent image of the artist recording it. How could "Radio" sit along side "Mercy"—even though "Radio" was written first, they came from the same musical mind and within a couple months of each other.

For the first time since I recorded it in 1986, this revision gives a completely reimagined vocal, more aligned with the image I was establishing at the time. The result is something slightly more mature, pop friendly, but leans toward the darker elements that lurk in the bulk of the Soul Parish catalogue. What's more, the extended mix is closer to my original concept for the song than the radio edit.

Lyrically, Radio manages to find an awkward place along side later songs. In revisiting themes from early Soul, I was discovering a lighter side to co-dependency in my lyrics. A draft of "The One Thing" included a now-lost line declaring "I've got plenty o potato chips." In "No Wrong" I offer my lover a credit card, and "Stranger Than Paradise" is more or less about a really great first date. "With Me" brings the whole narrative into the future-that-was-the-80s and flirts with sexual obsession as if it was, you know, normal.

I was looking for fun in my writing. Even if "Radio" doesn't find roots in 60s Soul, it is oriented around the kind of easy listening that made its way out of Soul into crossover R&B. The other songs maybe show more mature songwriting, but “Radio” captures some silly innocence that 13 year-old girls might have swooned over in 1985 (my sister who was 13 or 14 at the time confirms this). All said, it seems fitting to end the Soul Parish story where it began.

Originally from an unreleased EP "Saints of Song"

EP "Saints of Song" (1986)
A1: The One Thing
A2: No Wrong
B1: With Me
B2: Stranger Than Paradise

Soul Parish Lost Tracks 3: Radio Bonus Tracks
Radio (Original Studio Demo)
Radio (Fabulous Joes 1990 Version)
Radio (Original 2020 Demo)
With Me (Instrumental Demo)
With Me (2018 Instrumental Work Demo)
Stranger Than Paradise (Instrumental Demo)
Never Give In (Instrumental Demo)
No Wrong (Instrumental Demo)
The One Thing (Instrumental Demo)

credits

released July 23, 2021

Lyrics and Music, Nicholas Chase, all rights reserved.
Produced and performed by Nicholas Chase aka Soul Parish.
Nicholas Chase: Vocals, Keyboards, Synth Programming, Sequencing, Mix.

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Nicholas Chase

Nicholas Chase blasts the boundaries of genre. The LA Times describes his music as "The Rite of Spring meets Metallica!" and his whiplash-blend of musical styles has been showcased by Kalvos & Damien and Other Minds radio, featured on KMHT Television in New York, on Salve Television, Germany and has been noted by Strad and Double Bassist magazines, and American Record Guide to name a few. ... more

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